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Gladiator Left
  • Gladiator Left
  • Gladiator Left
  • Gladiator Left
Gladiator Left

Gladiator Left

Print Type
Print Size
Frame Type

Size and Material Guide

This guide explains the structure and materials of each print option so you can choose the style that fits your space.

Canvas Framed
A 1.5 inch stretched canvas mounted inside a wood floater frame with a total depth of 1.88 inches. Printed on a thick archival polycotton canvas and hand stretched over solid wood bars.

Edges are finished with a mirrored wrap or a color derived from the artwork for a seamless gallery look.

Canvas Stretched
A 1.50 inch thick profile that creates a bold presence on the wall. Printed on archival polycotton canvas and stretched over solid wood bars.

Edges are completed with a mirrored wrap or a color that matches the artwork’s palette.

Paper Print Framed
Solid wood frame with a 1.25 inch face width and 0.875 inch height, paired with optical grade acrylic plexiglass for clarity and protection. Professional mounting ensures a clean presentation.

Paper Print Unframed
Ships as a loose fine art print without stretcher bars. Ideal for custom framing or easy transport. Sizes 8x10 inches and smaller ship in flat mailers.

Aspect Ratio
Each artwork begins with its original proportions, and not every piece naturally fits standard frame sizes. To give you more flexibility, we adjust the artwork only when needed, making sure the composition stays centered, balanced, and true to the artist’s intent.

All sizes shown on the website are already optimized, so you can focus on choosing the one that fits your space without worrying about the details. Every option is designed to look right the moment you hang it.
from $119.90 USD

Layered glazes of charcoal, ash, bone white, and weathered earth tones. Gladiator holds the kind of presence you feel before you understand it. Textured with tension, quiet strength, and raw restraint, it does not invite explanation. It simply stands, weathered and whole. Its surface speaks in scars, in memory, in silence. The palette, earth after fire, builds in layers: smoldering charcoal, bone white fracture lines, soft ash emerging through shadow. There is no performance in this piece. No figure to decode. Just the weight of what remains when nothing needs to be said. At a recent exhibition, a man stood before Gladiator, quietly stunned. It is the only thing in here that feels real, he whispered. He returned. Once. Then again. And on the third visit, tears fell. That moment is woven into the painting now. Proof that when art tells the truth, it reaches the parts of us that still remember what it means to feel.

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